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Una voz poético-métrica de Cervantes: aquelindo en El rufián dichoso

Abstract : El rufián dichoso is not merely a hagiography of the student-valentón Lugo in Seville and his definitive metamorphosis into Friar Cristóbal de la Cruz in Mexico. It is a play that presents a number of technical problems, one of those involving the aquelindo, the poetic composition sung and danced at the beginning of the play. The present article proposes that it here takes the form of a romance-jácara composed of two quintillas (five-line stanzas) and five redondillas (quatrains), and that it should not be confused with the traditional perqué, as previously has been suggested
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https://hal.univ-reims.fr/hal-03522445
Contributor : Sonia Fernández Hoyos Connect in order to contact the contributor
Submitted on : Wednesday, January 12, 2022 - 9:56:57 AM
Last modification on : Wednesday, April 27, 2022 - 4:44:57 AM
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Sonia Fernández Hoyos, José Fernández de la Torre. Una voz poético-métrica de Cervantes: aquelindo en El rufián dichoso. Nueva Revista de Filología Hispánica, México : El Colegio de México, 2018, 67 (1), pp.77-103. ⟨10.24201/nrfh.v67i1.3465⟩. ⟨hal-03522445⟩

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