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De la destruction du discours amoureux à celle de l’individu : jeux manétiens entre poésies du mal d’amour et scènes du mal de mère

Abstract : In the texts of the playwright Eduardo Manet, lover’s discourse is dominated not only by the parodistic fragment but also by a progressive systematic and individual destruction. What remains is the unconditionality of love emptiness as well as the somatization of this intimate vacuity. From listening to a fragmented and parodied discourse on love, the spectator moves on to the exhibition of interpersonal relationships of strong dependencies that most often manifest themselves through desire and acts of humiliation, revenge or even self-destruction. In extremis a last reflection on maternal love nevertheless saves the happiness of Barthes’ mythology.
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https://hal.univ-reims.fr/hal-03607923
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Submitted on : Monday, March 14, 2022 - 1:09:23 PM
Last modification on : Friday, March 18, 2022 - 3:28:54 AM
Long-term archiving on: : Wednesday, June 15, 2022 - 6:37:37 PM

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Séverine Reyrolle. De la destruction du discours amoureux à celle de l’individu : jeux manétiens entre poésies du mal d’amour et scènes du mal de mère. Savoirs en Prisme, Centre interdisciplinaire de recherche sur les langues et la pensée (CIRLEP), 2021, Fragments d'un discours amoureux dans la littérature et le cinéma du monde hispanique, 14, pp.117-134. ⟨hal-03607923⟩

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